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2010. február 06. Szombat

Stream Adam-12: Season Two Movie Online

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Very kindly release of Adam-12’s second season. I can’t maintain that after three years season two has finally been released. Too awful Sob Factory didn’t release season one. The release of season one by Universal had cheap double-sided discs that were paunchy of problems. I had to return my season one plot three times and I serene have problems with the situation that I ended up with. The transfers were qualified, but the discs themselves had many problems. Enough talk of season one. This is about season two, good? This is a handsomely packaged, four disc station. All single-sided discs housed in two thin slipcases. I had no problems with any of the discs. Thanks for the extras, but can’t someone salvage Marty and Kent for any sort of commentary or interview? I’m not complaining, but since both guys are serene around one would consider they’d be asked to contribute something. The season itself is tall and I thoroughly enjoyed every episode. This is the season Reed and his wife have their baby. The boys have lots of adventures and all of the episodes are proper. Highly recommended! Hopefully it won’t consume another three years for season three.

SHOUT Factory has done a friendly job with its treatment of Adam-12: Season Two! Neatly packaged with duel slimline cases with characterize discs, this release shows Universal CAN do it upright, with the just marketer at the helm. Bellow Factory, a division of Universal Studios has reversed the gross muck of previous Jack Webb sets; i.e. Dragnet 1967 - Season 1, Adam-12 - Season One and all of the Emergency seasons!

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Gone are discs with muddy audio, video with artifactual trash, and discs that froze or simply wouldn’t play at all. This second season of Adam-12 is presented exactly the plot we remember it! Most episodes are a whopping 25 minutes long, including the Jack Webb trademark Brand VII Little AND the Universal Studios ending. All 26 episodes are show with some large bonus features.

Ten stars for crisp video & audio, a complete season w/bonus features, a clean respectable effect and astonishing production and authoring of a classic like!
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2010. február 02. Kedd

Watch Signing Time! Volume 12: Time to Eat Online

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As the mother of twins, one hearing and one deaf, I have had the opportunity to check out many programs for teaching ASL to dinky children. This is by far the best series out there. Most other products are so listless that parents must struggle to quit awake during the production, and there is no device a toddler would tolerate a viewing. My 2-year-old twins query Signing Time all of the time. At home they want the DVDs playing almost constantly. In the car my hearing daughter starts asking for the Signing Time CD before I even have her strapped into her carseat. My 2-year-old deaf daughter is using 5-sign sentences, which is almost unheard of for the deaf child of hearing parents. My extended family owns a total of 6 sets of Signing Time. Whenever my daughters’ cousins have a birthday they ask for the latest Signing Time DVDs. Children of all ages fancy this product.

I like the entire Signing Time series as a teaching help for hearing children.

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This particular video is huge for smaller kids (my daughter is a year outmoded) - it’s attention getting, has fun music, and the signing instruction is very obvious.

What I like about this video: an introduction to food words, including many toddler “favorites” (cheese, spaghetti, bread, crackers, etc), and doesn’t have great in the procedure of “junk food”-other than the imprint for “candy”.

There is also introduction to some basic kitchen words like “cook”, and “cup”, “plate”, “fork”, etc.

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This is a substantial video if you have graduated beyond the basics of “milk”, “cereal”, “mommy” and “daddy”.

The “Laughable Pizza Song” is especially fun, and my daughter and I always have a generous time trying to impress along with Rachel to it.
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2010. január 25. Hétfő

Watch Clerks Online

Kategória: Clerks — Cimkék:, , , , — kirkhart1971 @ 11:58
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I’m not going to screech the dwelling of Clerks, since tons of other reviewers have already done that, but instead I’m going to focus of the DVD, because I don’t feel enough people write about that.

First off here’s the special features:

Audio Commentary: This commentary features a nearly countless amount of people, but mostly Kevin Smith with the occasional tid bit from actor Brian O’ Halloran (also known as Brian Christopher O’ Halloran) or producer Scott Mosier. Funnily, Jason Mewes showed up drunk for the recording of this and lies on the floor past out most of the time, sometimes waking up to whisper or bawl “Snootchie Bootchies.” Obviously only one mike was ancient for this, but that never bothered me remarkable, because the commentary is a load of fun, with tons of moving things and laughs. I like this worthy better than the overrated Mallrats commentary.

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Deleted Scenes With Introductions by Kevin Smith: There are about 6 deleted scenes, almost all of them extended bits, but all of them bewitching. Ones I particularly liked were the longer Gum Guy’s speech, the longer conversation with Dane and Veronica, and the longer talking between Veronica and Randal. The only completely additional scene is in #3 where Randal tries to pursuade a customer to rent Smokey and the Bandit 3. Not very droll, but inspiring. The introductions to the scenes by Kevin Smith are very fine, short and to the point, where as in all the other DVDs he rambles on for about two minutes about why you should visit Jay and Mute Bob’s Secret Stash or mumbles or wastes time going “Um,” you gain my point. In these intros he simly states what you’ll obtain novel in the scene and then you plan, I mediate the longest intro is about thirty seconds. Agreeable.

Original Ending: The horrid unusual ending is included for your enjoyment, and it is positive why it was prick, although I personally cherish the scene and contemplate it’d be a astronomical ending to the film. Why? Because it ends on a downer, impartial like Dante and Randal talk about early in the film, and is more realistic (OK, maybe not, but I like it) . Sit through the short plot of credits for a breif cameo by director Smith. The ending features an introduction where Smith states how satisfied he is that the scene was carve. Inviting.

Music Video: The silly music video for Soul Asylum’s “Can’t Even Dispute”, featuring a recreation of the hockey scene, in color no less! It’s an exciting eye at what if would be like if the movie was in color, but it’s also a attractive salubrious song, and the video is interesting, measuring around four and a half minutes. Introduction by Smith is included, which is fine sharp.

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Theatrical Trailer: The film’s current trailer is included with introduction by Smith, where he states how crazy he is for it and that it’s one of his accepted trailers ever. It’s a nice trailer and all, but really, it is impartial a trailer, and I consider he sees into it more than most people will (though I read a review that called the trailer “a fragment of film itself”) .

Anyway, those are the extras. It doesn’t see like considerable, but quality overwhelms quantity, and all these extras are very frigid, and worth your time.

The sound and characterize on the film is gorgeous, at least when you believe about it. Remember Clerks cost less than a car to design, and the portray is consistently grainy throughout, as well as sunless and white (oh boo hoo to all you people who can’t peep a shaded and white movie), but I could always utter what was going on, and after about two minutes, I got former to the grain (you will, too) . The sound is a 2.0 surround sound that is always sure and never bothersome. There’s minor protest, but barely irritating (or noticeable) .

Anyway, I like CLerks a lot, although most people won’t spy it because of the murky and white record and a lot of people collect it insensible, but I unbiased don’t understand how anyone could accumulate a movie with such enormous acting and dialouge dead. Well, if you need an explosion or a bunch of action every ten minutes…..

Hope you liked my review (kind of long, sorry), and please vote if it was profitable. Thank you for reading.

One of my common films of all time… and they’ve given it the deluxe treatment with this 3-disc residence. Here are the details from Kevin Smith’s Belief Askew website about this modern edition:

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The 93 slight “Clerks” Theatrical cut- All original HiDef transfer from 16mm IP supervised by Dave Klein with all-new 5.1 Skywalker Sound remix supervised by Scott Mosier, includes unusual commentary track from laser disc/initial DVD release

The 103 slight “Clerks” IFFM First Nick, includes all-new audio/video commentary track with Kevin, Scott, Jeff Anderson, Brian O’Halloran and Jason Mewes.

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The 95 itsy-bitsy “The Snowball Effect: The Yarn of Clerks” Label Spanking Recent Documentary that inteviews almost everybody who ever had something to do with “Clerks”

The MTV Jay and Mute Bob shorts that everyone’s been crying for us to do on a DVD for years now

The Arclight 10th Anniversary Q&A with Brian, Jeff, Marilyn, Scott, Dave, Mewes, and Kevin

Lots of unique video intros.

“The Flying Car” short from the Tonight Prove (re-telecined in HiDef) .

The New theatrical trailer

“Can’t Even Instruct” Music Video

The recent Jeff, Brian, and Marilyn and Ernie O’Donnell audition tapes

The mark unusual, seven dinky gripping “Lost Scene” short

Expansive Collected Photo Gallery

‘Clerks’ Trivia track

Original 168-page current first draft screenplay

Kevin’s ‘Clerks’ Journal

Kevin’s ‘Sundance’ Journal

Peter Broderick’s 1992 article “The ABC’s of No-Budget Filmmaking” that inspired the budget for ‘Clerks’

Peter Broderick’s followup article “Learning from Low-Budgets” a year later that does the same treatment on ‘Clerks’

Amy Taubin’s Village Hiss article on the 1991 IFFM and ‘Slacker’ that inspired Kevin to hold ‘Clerks’ to the IFFM

Amy Taubin’s Village Mutter article on the 1993 IFFM about ‘Clerks’ being the gem of the festival.

Janet Maslin’s 1994 Original York Times review of ‘Clerks’ entitled “At a Convenience Store, Coolness To Go”

The entire John Pierson ‘The Unfamiliar Couple: Sundance 1994″ Chapter from ‘Spike Mike Reloaded’ book

The modern Kevin-penned IFFM program note

The recent Bob Hawk-penned 1994 Sundance Film Festival program effect.

“Mae Day” - Kevin and Scott’s Vancouver Film School documentary short.

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2010. január 14. Csütörtök

Buy The Dawn Patrol DVD

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THE DAWN PATROL, Errol Flynn’s final film of his busiest year as an actor (1938), is a tantalizing counterpoint to his usual swashbuckling and light laughable roles. A remake of Howard Hawks’ 1930 classic, this is a anecdote of war-weary WWI aviators, called upon to risk their lives daily, in musty aircraft, on missions they mediate impossible (a timeless war theme that would reappear in such WWII classics as Insist DECISION and TWELVE O’CLOCK HIGH) . Directed by WWI outmoded Edmund Goulding, best known for his big-budget romances (Great HOTEL), the film counterpoints the gritty, harsh realities on the ground with the nearly surreal quality of early air battles, as bi-planes with begin cockpits whirl and swoop like insects, and enemy airmen would occasionally topple out possessions of tedious pilots over airfields, in a chivalrous gesture.

Fellow pilots Courtney and Scott (portrayed by real-life friends Flynn and David Niven, again showing the rapport they had demonstrated so effectively in 1936’s THE CHARGE OF THE LIGHT BRIGADE) are battle-tested veterans, hell-raising survivors of a squadron decimated by the war. Seeing a constant influx of ‘green’ kids replacing lost friends, and colorful too well that the rookies’ inexperience will rapid cost them their lives, the pair vent their exasperate against their commander, the coldly ‘by-the-book’ Maj. Price (in a noteworthy performance by frequent Flynn nemesis, Basil Rathbone) . Courtney constantly condemns and belittles Maj. Sign, accusing him of placing ‘The Mission’ over the lives of the men under his notify, which makes Courtney a hero in the eyes of the fliers.

Finally, Label cracks, and is well-liked for reassignment, and Courtney is chosen to replace him. In a mighty scene, Effect lets his wintry ‘facade’ down, and reveals, bitterly, to the younger man that seeing his men sent on suicide missions, daily, had literally crushed him. Unknown to the squadron, Price had constantly begged HQ to ease up, but had been ’shot down’ each time, as the missions were critical. “Now it’s YOUR turn,” Heed sneers, “Search For how YOU bask in it!”

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Brand’s words are prophetic, as Courtney snappily discovers himself in the same plot, as the despised scapegoat, with Scott assuming the role of spokesperson and savior to the squadron. And the most hazardous mission yet has impartial reach down from HQ…

DAWN PATROL is a noteworthy film, with tremendous performances from the entire cast, particularly Flynn, who had often begged the WB to give him roles beyond his ’swashbuckler’ image. The indispensable praise it garnered proved Flynn’s versatility as an actor (although public interrogate would preserve him ‘locked’ into adventure films), and raised David Niven up to ’star’ site.

It remains one of the BEST films about the ‘Great War’, and shouldn’t be missed!

This movie is a multi-level film. On the one hand, we have the action-adventure element of WW I British pilots valiantly waging the air-war over France in 1915. The other level is a dismal anti-war film stressing the fear of warfare, the grim cost to comrades, and the nerve-wracking jam of squadron commanders caught between the daily sacrifices of their squadron and the unrealistic expectations of headquarters. Basil Rathbone is the harassed Major Heed. Rathbone’s nervous, high-strung acting style is well safe to this role. Two of his best pilots, Courtney (Errol Flynn) and Scott (David Niven), treat Stamp with ill-concealed contempt for the hard decisions he is compelled to compose. Among his many frustrations, Major Label is ordered to spend inexperienced young pilots as replacements. It becomes a distressingly familiar experience for Major Imprint to count the number of planes as they zoom overhead, returning to unfriendly from the latest deadly mission. Seven went out today; only five returned. While on the ground, the pilots imbibe a prodigious amount of liquor, and listen endlessly to the gramophone play a scratchy rendition of a celebrated song titled “Hurrah for the Next Man to Die.” The shaded humor of this is inspiring, especially to Scott. Due to an ironic twist of fate, Major Note is promoted to a headquarters job because of a bold independent mission, spectacularly pulled off by Courtney and Scott. Designate is told to name his contain replacement, and he doesn’t hesitate to name Courtney as squadron commander. Suddenly Courtney is in the identical no-win spot for which he held Stamp in contempt. Things become even more tense after Scott’s younger brother arrives as one of the green replacements Courtney is ordered to place in the air against the grimly efficient German pilots; who are led by a Manfred von Richthofen (i.e., Red Baron) type named Von Richter.

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The aerial sequences are visually impressive and consuming. Errol Flynn and David Niven are appropriately dashing as they face worry with courage fierce in their eyes. Between missions, they choose in riotous humor and impish hi-jinks to ease the tension. One senses, however, there is an enforced gaiety to their antics to counter the rigors of war. Courtney evolves from the mettlesome flyer into the harassed commander. Finally, an especially uncertain mission is ordered. The mission is impossible to finish for an entire squadron, but “one man, flying extreme” might succeed. As an act of personal redemption, Courtney takes the area of the incapacitated Scott, and flies the mission. The film balances the romantic visions of war as adventure with the hard realities of aerial combat. There is chivalry and grace, but also frailty and breakdown. The glory is tempered by the memory of fallen comrades, some of whom never had a chance. This film is a stark disagreement to Errol Flynn’s more light-hearted adventure movies (e.g., Robin Hood, The Sea Hawk, etc.) The aerial dogfights, the air attack on the enemy munitions factory, and the destruction of the enemy aerodrome are entertaining enough to please action fans. The anti-war elements of the film are idea provoking. A sparkling cast and an bright script develop this more than fair another war movie. Recommended viewing.
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2010. január 03. Vasárnap

Buy Heroes: Season 2 DVD

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HEROES is a terrific indicate with very intriguing characters and gripping storylines. It is well-written and well-acted. I even enjoyed Season Two, even though it wasn’t as enthralling as Season One (hence the 4-star rating instead of 5) . I highly recommend it to everyone.

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However, for the studio to offer Season Two to us fans at the regular TV season imprint is ridiculous. Don’t pay it! Wait until they lower the imprint. Remember: we were only given HALF A SEASON last year due to the writers strike. They never came encourage like some other shows. Why pay the same trace for half the episodes? WAIT!

Heroes is a breath of modern air. It has multiple interwoven yarn lines that converge spectacularly. And the characters are fresh, easily likable, and well attach together. Normally a superhero display would be goofy or cheesy, but this expose is different.
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2009. december 22. Kedd

Watch 3D Little Shop of Horrors Movie Online

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Unfortunately, Slight Shop of Horrors and every other Roger Corman Filmgroup production lapsed into public domain years ago and have generally been available on VHS and DVD only in poor-quality editions ranging from merely awful to faulty. (The only Filmgroup features to find a decent official or semi-official release so far are Bucket of Blood, Beast from Petrified Cave, and Night Tide.) After researching every DVD version of Limited Shop of Horrors available (there are at least eight!) I played a hunch and went with GoodTimes to replace my VHS copy, and I’m very pleasantly surprised at the overall great quality of the source print. When I saw the “preserved using the best available elements” line at the beginning of this disc I idea ‘yeah, correct,’ but I have to admit that this is the brightest, cleanest, sharpest (if not exactly razor-sharp) print of this film I’ve ever seen. The shadowy level, difference, gray values, and shadow/highlight detail are lovely, and physical harm is shrimp only to some very light speckling and blemishing (!!) . On the downside, the transfer itself seems to be somehow deficient (crude bit rate? ), causing areas of flat white or smoothly gradated grays in the image to point to some very faint but noticeable pixelation or banding, especially during the opening credit sequence (areas of flat color seem to be DVD’s Achilles Heel) . The casual viewer probably won’t glance this phenomenon unless it’s pointed out, but it’s there. That said, the suitable quality of the source print more than makes up for this one barely noticeable flaw; this is quiet most likely the best edition yet available of this classic ’sick humor’ gem and well worth the bargain ticket. It definitely blows away every TV print and cheapjack PD video version I’ve ever eyeballed. Grab this before it goes out of print.

The movie itself quiet entertains tremendously today, a laughable, goofy (dare I say charming? ) horror-comedy that basically plays like a stage farce (most of the action takes site on one or two sets) . The fable is essentially a remake of Bucket of Blood with a change in locale and a few current twists. This time Jonathan Haze portrays everyschlep Seymour Krelboine, who lives with his alcoholic hypochondriac mother (she listens to KSIK radio) and works at Mushnick’s skid row flower shop. Seymour (temporarily) finds fame, fortune, and romance by nurturing (and eventually murdering for) an exotic talking cannibalistic plant. Mel Welles, in his finest hour (literally), steals nearly every scene with his laughable portrayal of perpetually furious Gravis Mushnick, and Jackie Joseph (Andy Griffith Reveal, Who’s Minding the Mint) seems born to play glowing, ditzy Audrey. Corman regulars adding to the fun include Dick Miller (Walter Paisley in Bucket of Blood) as Fouch, a flower-eating client, John Shaner as a sadistic dentist, and 14th-billed Jack Nicholson (featured prominently on most tape and disc box art) as his masochistic patient. Shot on a shoestring in objective three days (at least all the interiors), Diminutive Shop holds up better than many big-budget comedies of the day (anyone watched Memoir of Mankind lately? ) . Powerful credit must be given to Charles B. Griffith, unsung hero/architect of the AIP/Allied Artists/Corman style. His list of credits reads like Corman’s greatest hits: It Conquered the World, Attack of the Crab Monsters, The Undead, Not of This Earth, Teenage Doll, Bucket of Blood, Beast from Jumpy Cave, Wild Angels, Death Run 2000, etc. Griffith’s clever, witty screenplay is a model of late-50s sick humor, working in a dead-on Dragnet parody, some extraordinary malapropisms and bits of wordplay, lotsa Yiddish humor, and a handful of his patented icky-creepy moments. (Griffith also voiced the plant, Audrey Jr., played a few walk-ons, and directed some second unit scenes, all uncredited.) Fred Katz’s memorable rep is alternately goofy and spy-jazzy, and, unlike some of Roger Corman’s other attempts at comedy (e.g. Creature from the Apprehensive Sea), I salvage his touch objective upright here, ably supporting Griffith’s verbal bits with complementary editing patterns (check Sgt. Joe Fink and Det. Frank Stoolie’s hilarious introductory scene) . Lighter in tone and a bit broader and more farcical than Bucket of Blood (which I personally buy), Dinky Shop, judged on its absorb terms, is tranquil new and engrossing, though the obscene budget is definite at times. I’m not certain how fans of the Broadway exhibit or movie musical will react to the unique (I admit to being a purist myself), but if they part a taste for grievous budget panic or 50s-style sick humor they’ll probably win it an offbeat treat.

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Roger Corman’s New 1960 version of “The Itsy-bitsy Shop Of Horrors” is considered by many as a suitable cult classic comedy of B-Movies,even the most respected of film critics.Unfortunately depending on the tastes and opinions of film fans that were former to seeing this legendary film comedy through the public domain since there was a lack of copyright in the titles,(same thing had happen to “Night Of The Living Tedious”) and for many years since the dawn of the videocassette and unhurried slow movie shows,those versions were vastly despicable and often poor-looking in terms of presentation and incompatibility.Now the immense folks at Anecdote Films have finally save out a brand-new definitive and favorable restored presentation of this cult hit on DVD in both the new shaded & white version as well as the disc’s main presentation of showcasing a brand-new restored digitally colorized version too.As with previous selected Chronicle releases of classic horror/B-movies in their DVD series,the disc features a well-done and at times hilarious commentary by MST3K’s Mike Nelson and the spacious thing is that you can listen to the track on both versions of the film,giving the b&w version sort of a MST3K-flavor to it (I appreciate how he refers to the opening Filmgroup logo as limited Reese Cups!) .Despite packaging claims that is the first time the film has been colorized,it’s actually the second colorized incarnation of the film.First colorized on videocassette in the very leisurely ’80’s with lousy and at times amateur results,this Chronicle version completely blows away the first attempt and looks like it was actually filmed in color,but of course this films’ legendary budgetary constraints prevented from actually filming it in color.Of course lets not forget that the film features a very very young Jack Nicholson,in his fourth film role,in a memorable role as a crazy dentist patient.I must say,this Tale version of “Limited Shop” is probably the most excellent and sharpest looking out of all the previous versions of the film that you’re possibly going to study and no wonder it was transferred from an ample 35mm print of the film! Other extras,besides the Nelson commentary,round out the package including both restored color/unrestored b&w trailers to “Runt Shop”,and the following colorized trailers for “Understanding 9 From Outer Site”,”House On Horrified Hill”,”Carnival Of Souls”,and “Reefer Madness”.Plus a gallery of nine man-eating plants,if any kids are planning to do a school project on man-eating plants,this could actually be a fun reference guide,and also a very short clip called “Man Eating Plants” which is actually the president of Yarn Films Barry Sandrew vigorously eating vegetable plants such as celery (always eat your vegetables folks!) .Well-done packaging,reliable eye-catching menus and a elegant transfer of both versions will definitely please any film buff,both Hollywood and B-Movie fans alike! This is by far one of the first best DVD releases of 2006 and is highly recommended for feeble and unique fans alike instead of those who only purchase the 1986 spectacular Frank Oz musical remake with Rick Moranis and Steve Martin.Highly recommended!

UPDATE 11/24/06:

Just Recently,Buena Vista Home Entertainment in association with Roger Corman have finally released an “authorized” DVD release of “Small Shop Of Horrors” as well as a nicely restored current murky & white version of Nicholson’s debut film “The Yell Baby Killer”.Unfortunately,the unusual disc’s presentation of “Dinky Shop” is in fact the Fresh colorized version,slightly mentioned above,that was first produced and eventually released to video in 1987 by Color Systems Technology.The source print outmoded for the color version (other than the fact that the quality was directly copied off a video master for the DVD) is surprisingly in quite top-notch condition,but it really truly is one of the worst examples of 1980’s colorization technology I’ve ever seen and will probably be the last.The colors are often the same as obvious objects (ie: the outside of Mushnick’s Shop and the greens for the flowers,etc.),tons of continuity errors (ie: clothing,signs,etc.) and does anybody wish to care seeing Audrey Jr. looking like a talking watermelon plant? Reportedly,that color version was authorized by none other than Corman himself and it’s easy to leer why many directors above his stature dislike and disregard colorization.Nicholson/Corman fans alike aren’t going to be impressed with that bust of a release and it’s very easy to recognize why the ‘87 colorized version was out of circulation for many years.Easier said than done,the newly restored Anecdote Films release is by far,hands down,the dependable winner due to the technology,version options,and bonus materials!
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2009. december 21. Hétfő

Buy Caillou: Caillou’s Holidays DVD at Amazon.

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My kids worship Caillou so when I saw this I notion it would be a fun surprise of holiday shows. Unfortunately, there’s a lot of things missing. First, there isn’t a Halloween episode though there are two sequences with the dancing kids between the cartoons. Frankly, there’s a slight too great of the puppets AND the dancing kids between the shows. They should stick with one or the other or alternate them and prove more cartoons.

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Overall, it’s ok but could be considerable better if they featured at least two shows per holiday.

My son loves caillou. Substantial video. He loves watching this over and over again. Recommend to recall.
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2009. december 20. Vasárnap

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Product: Gunsmoke-Season 3 Vol. 2
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Gunsmoke Season 3 Vol 2 will be released on May 26th 2009. It will be about a 523 minutes running time, Chubby mask,Englsih mono audio 3 disc dwelling with the remaining 20 episodes of Season 3 of Gunsmoke. These episodes are:

1. Claustrophobia

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2. Ma Tennis

3. Sunday Supplement

4. Wild West

5. The Cabin

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6. Dirt

7. Dooly Surrenders

8. Joke’s on us

9. Bottleman

10.Laughing Gas

11.Texas Cowboys

12.Amy’s Suitable Deed

13.Hanging Man

14.Innocent Vast

15.The Huge Con

16.Widow’s Mite

17.Chester’s Hanging

18.Carmen

19.Overland Whisper

20.The Gentlemen

After posting this review last month, I have been reading the other reviews and have noticed that many are giving these DVD’s one or two stars due to the releases of Gunsmoke being split seasons. That is nonsense! I would rather have split seasons of Gunsmoke on DVD rather then no seasons of Gunsmoke on DVD!. Yes, I would admire to have them released as pudgy seasons, but that is not going to happen and I’m glowing with that since I know I and millons of other Gunsmoke fans are lucky enough to have Gunsmoke being released on DVD in the first station. Retain up the complaints and CBS/Paramount might unprejudiced say enough and halt with the releases. Impartial score them the intention they are being released and like them! (Oh and as for the reviewer saying that they messed up Season 2 vol. 1 and we are paying for the mess up, that is bull. I have that season along the with the rest of the sets that were released and Vol. 1 of season 2 as well as the other sets have no such problems. All episodes are all there and are in order!)

5-3-2009: I have fair found out thanks to another reviewer, who pointed out what to glimpse for, that there is a mess up on Season two, volume 1. One episode “How to cure a friend” was replaced with “How to raze a friend” I apologize for not seeing it in the first status and saying that there was no mistake. I detached give Gunsmoke and each season volume spot that has been released five stars despite this very itsy-bitsy mess up and I tranquil say that people should not give it a one or two star ratings due to it being split seasons and they should objective conclude complaining. All the season sets released are substantial to look and I am looking foward to buying season 3 vol. 2 in about three weeks.

Have loved all the previous Gunsmoke releases and can’t wait for this next batch of episodes. 523 minutes of restored Gunsmoke - terrific value for the note.
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2009. december 19. Szombat

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Product: Maxed Out
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The best things in life are free

But you can maintain ‘em for the birds and bees

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Now give me money (that’s what I want)

That’s what I want (that’s what I want)

That’s what I want (that’s what I want), yeah

That’s what I want

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Your lovin’ gives me a thrill

But your lovin’ don’t pay my bills

Now give me money (that’s what I want)

That’s what I want (that’s what I want)

That’s what I want (that’s what I want), yeah

That’s what I want

Money don’t derive everything it’s correct,

What it don’t regain I can’t use;

Now give me money (that’s what I want)

That’s what I want (that’s what I want)

That’s what I want (that’s what I want), yeah

That’s what I want

People want money. The credit card moguls prey on consumers who don’t read the glorious print before they label their lives away; elected government officials including presidents “borrow” money from Social Security; and the average person wants an endless income. As my grandfather ragged to say, “Rich or dreadful, it’s advantageous to have money.”

Maxed Out is an qualified documentary that, although somewhat disjointed, does do a very suited job of exploring and explaining to people–in tiring, English–the risks of too distinguished debt and the responsibilities they must face when it comes time to pay benefit that debt. We gather tantalizing interviews with unsuspecting, everyday people who unknowingly were fooled by creditors to become saddled with more debt than they could handle. We also peruse examples of families shattered when a member of the family actually kills themselves rather than face the shame of debt or bankruptcy. In addition, see for some safe insights from Elizabeth Warren from Harvard University and venerable Federal Reserve Chairman Alan Greenspan.

Maxed Out can be difficult to glimpse. After all, the stories we learn of are rather sunless and poor. We learn of credit card companies so driven to heed anyone up they give out credit cards like candy to college freshmen working a mere 12 hours a week. It’s scary. We learn how four consecutive presidents “borrowed” money from social security fair to pay interest on government loans and to maintain the government initiate. (Actually, even this failed when the government closed for three days a few years ago.) Ay!

Worse yet, we are introduced to people at collection agencies who rather heartlessly leave messages with relatives and neighbors of the people in debt so that the debtors can be publicly embarrassed about getting a call from a collection agency. The shame is so mountainous that according to Elizabeth Warren a bankruptcy is often referred to as “the event” because people can’t possess to hear the word bankruptcy.

Of course, there is the other side of the coin. We recognize Dave Ramsey, a radio DJ who coaches individual responsibility when it comes to money management. I also had the sense, although the movie did not spell this out, that many parents simply bewitch that their eighteen year olds would never be given a credit card–and so too many parents never deny their kids about the risks of racking up debt. Parents and schools need to remark lessons about money management very, very carefully.

Overall, Maxed Out is an favorable film that deals with all of the above and more. The DVD also comes with enchanting bonuses including another interview with Elizabeth Warren; a 1950’s educational film about credit and money management that should detached be shown to young students today; and we also win another stop examine at Dave Ramsey who counsels people on the radio about debt and getting out of it.

I highly recommend Maxed Out for anyone who wants to better understand fair how predatory credit card companies can be–and objective how mighty we calm need to know about overall money management to avoid powerful more debt than we could ever repay. This movie also benefits from an worthy soundtrack. Although this subject matter could be dry, the movie keeps it all titillating by also showing interviews with everyday people about their financial problems and other film clips.

The woman looks out at the camera while showing the audience her recent home in the making. She tells us how the bank guaranteed her mortgage based on the projected increased value of the house from its unusual brand, after completion. We are told this is the precise same accounting blueprint that Enron obsolete.

There are some facts that this DVD makes determined. America, once a country where people were forced to live within their means has become a nation of debtors. Our indebtedness has been encouraged and even exploited by politicians, and credit card companies who philosophize us they are everywhere we want to be. With the complicity of congress, credit card companies are sapping the financial vitality of the American family.

Almost all politicians have told us that we should continue to retract. If it isn’t Governor Arnold Schwarzenegger telling us from the front of an auto dealership that we need a current car, it’s George W. Bush who told us after 9/11, to hell with sacrifices–just remove (and collect into more debt) .

In the 1980’s President Ronald Reagan encouraged deregulation. Banks, once unable to operate in other states or float credit cards could now do so. Shining that we could have something now instead of later was tempting for too many people. As the DVD reveals, the banks found a master marketer who suggested that they have zero percent interest “come-ons.”

Then, there was targeting the accurate population. College kids were especially targeted with free Frisbees, school tee shirts, or any other gimmick that was given unprejudiced for filling out an application. Calculated in this decision was to lure kids with future income potential and shrimp novel income to beget them debtors for life. The full-time working, non-student, eighteen year olds were usually rejected because they were more likely to get the monthly payments.

Enter MBNA. They write the unusual bankruptcy law that the 109th republican dominated Congress will adopt. This Congress has its hands in the pockets of the banks and credit card companies, and they form it quite definite that their obligation is to report their largest contributors rather than their constituents. In the words of Senator Orrin Hatch of Utah, the purpose of the bill is “to develop Americans more responsible.”

It’s miserable that the beneficial senator didn’t feel the same plot about the credit card companies, which were then allowed to charge rates once conception of as criminal e.g. 35% on delinquent credit card payments. (Honest believe. At that rate, one in three borrowers could default and the credit card companies and banks would composed construct money)! Additional “fees” are added for processing, lateness, etc. Providian, which tried to lure people with rude interest rates, withheld deposit or simply shredded payments so they could charge slow fees and raise interest rates.

Another genius decision was to beget rude monthly payment minimums. This will guarantee that a $10,000 balance would require payments of more than $18,000 to pay off. It would also lull the consumer into feeling that the burden was not too powerful to enjoy, and that the card could aloof be weak.

But the banks were aloof not short on ingenuity in coming up with more ways to obtain money via credit cards. They could sell their debt to collectors who were ready to dun borrowers and lift them to court for judgments and liens.

There is a heavy-handed allotment to this record that I was dejected with. It was the tragedy of two mothers whose children committed suicide because they had acquired too many credit cards and could not pay them befriend the huge amount of debt they accumulated. Obviously, this decision was driven by their hold thoughts rather than by collection coersion. They announce their legend to Congress asking them to change these laws as they face an array of bankers and lawyers. They knew nothing would happen, and nothing did. (But at least Congress did investigate the essential stuff, like if Roger Clemens was using performance-enhancing drugs)!

The intentional irony here was a number of these bankers and company executives telling Congress: “We are sensitive to the needs of our customers.”

And some day pigs will coast.

I recommend you gape this or assume it. But, please–pay cash for it.

Easter Monday

301 More Days and a Wake-Up

Thanks for the recommendation, Marc.

November 5, 2009: The credit card companies that are so sensitive to the needs of their customers are raising interest rates up the maximum currently allowed by law.
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2009. december 17. Csütörtök

Buy Faustina Blu-Ray at Amazon.

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Note: Polish with English subtitles.

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Sister Maria Faustina (born Helena Kowalska in Glogowiec, Poland on August 25, 1905) was canonized on April 30, 2000 by Pope John Paul II thus becoming the first Catholic saint of the 21st century. This all Polish production was released in ‘95, five years before Sister Faustina’s canonization and was most certainly intent on helping promote the top-notch sisters’ Papal consideration for sainthood.

However having said that, please don’t fearful away from seeing this film thinking it was meant to be nothing more than a proselytizing vehicle for Catholicism. Personally I found ‘Faustina’ to be a very unprejudiced, historical presentation that was never overly dramatic or preachy in any arrangement. The screenplay, based on her diary, conveys a simple, straightforward leer at her life making this a film that could be enjoyed by everyone no matter what religious, or non religious persuasion you may adhere to.

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Director Jerzy Lukaszewicz and the all Polish cast did a extraordinary job of recreating the time, spot and events in the life of Sister Faustina. I also need to mention the charming and demure Dorota Segda who was unbelievable in the lead role, capturing both the inner and outer beauty of this deeply mystical and devoted servant of God.

Saint Faustina died in 1938 after a long and painful battle with tuberculosis. Fortunately an fantastic relate of her life remains with us in the invent of her diary covering four years of her life. It contains her mystical and revelatory experiences along with her personal insights and prayers and is over 600 pages in length. She was also granted permission by the Church to commission a painting which is now known the world over as the “Divine Mercy.”

“Faustina” is a Polish film about the life and visions of Sister Faustina, who later became a saint. Sister Faustina had visions of Jesus, in which she was instructed to have an image painted. Having seen the painting before, it was absorbing to spy the anecdote slow it. The film reviews share of Faustina’s life, up until her death.

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“Faustina” (1994) is spoken in Polish, with optional English or Spanish subtitles. Directed by Jerzy Lukaszewicz, “Faustina” is 75 minutes in length. As a bonus feature, a documentary on the loyal places Sister Faustina lived, about 25 minutes in length and made in 2000, is included.
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